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Q: You’re regarded in the comics community as the “father of the art comics movement. Not just for Maus but for the role you and Francoise played in shepherding and proselytizing cartoonists in Raw magazine. Forgive me for using the term, but you’re seen as this father figure. Is that a role you’re at all comfortable with?

A: Not at all, because I know a lot about father figures. The first thing you gotta do is kill ‘em! Absolute first order of business. I didn’t read all of Douglas Wolk’s book when I saw one sentence that somebody showed me about my work that said he has to be cut down because he’s the largest poppy in the field. Something close to that. I’m thinking, wait a minute, I know nothing about opium farming but I know a lot about Freud and Poppy. Cut down. Poppy. I get it. There’s definitely some kind of castrate the father figure as quick as you can. I don’t know.