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And now it’s not that the tyranny of literature and the paraliterary has been overturned; that will always be with us. And it’s not that comics have as a whole been redeemed to the limited, value-bound meaning of “literature” and “literary.” It’s that comics—no longer just for kids—is now at last provisionally among that set of media which might have this or that of its works judged as “literature” or, of course, “art.” But those works—those graphic novels and fine art pieces—are being judged on hopelessly muddled merits. —Reading Comics is sold as a “canon-smashing book” not because there is a canon of comics to smash, but because any canons that might be made for comics now would be wrong, would be broken, would lean too much this way toward the prose or that toward the art or back and back with the backlash against elitism and snobbery—and canons are harder to change even than the habits of headline writers. Instead, let comics be comics for a while, and let us read them and look at them and write about them, describing them wherever and however we find them. Let comics be comics, whatever that might end up being.